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Event

Circular Design Week in Ho Chi Minh City and the Mekong Delta

DESIAP, Discussion, Talk, Workshop

Date

21st September 2026

Location

Ho Chi Minh City & the Mekong Delta


Event Details

Circular Design Week (CDW) is a platform that explores the possibility of placed-based circular designs that are enacted in, and emerge out of, the traditions, daily practices, and complex relationalities unique to the Asia-Pacific region. With a strong emphasis on local contexts and learning via firsthand experience, we strive to get a better understanding of the plurality, as well as the autonomous and distributive nature of sustainable societies.   CDW26 is an exploratory program that combines an immersive fieldwork in the Mekong Delta with a thought-provoking conference in Ho Chi Minh City. Together with researchers, designers, and practitioners from Vietnam, Japan and other parts of the world, we will dive deep into the future of "circular design" emerging from the Asia-Pacific region. This year, the program will be hosted as one of the tracks at the Vietnam Festival of Creativity and Design (VFCD), one of Vietnam's largest design festivals.   The Theme of CDW26 is Metabolic Abundance, which frames circularity as a living condition – the ongoing process through which life is sustained, exchanged, and returned across ecology, culture, infrastructure, and everyday practice. The Mekong Delta is not a metaphor for this condition. It is this condition. Alluvial sediment, brackish water, floating rice, fermented fish paste, tidal rhythms, canal politics, salt damage, and Khmer rituals are all metabolic processes. They do not require circular design to be circular; they already are.   But this abundance is not stable or given. It is continuously produced through a tension between two orientations that run through every canal, every sluice gate, every hybrid rice variety: Thuận thiên – living in accordance with the flood, adapting as a form of intelligence – andkiểm soát – controlling, optimising, extracting. Most circular design discourse operates in the register of kiểm soát. The Mekong Delta is a site where Thuận has been practised for centuries, and where the conflict between these two orientations is currently visible, embodied, and at risk. CDW 2026 asks what circular design can learn from this place – not only what it might bring to it. Cảm Ứng Digital Dowsing as method CDW's fieldwork is designed around a participatory, embodied commitment. In Vietnamese, cảm means sensing-feeling; ứng means responding. The compound cảm ứng names the inseparability of perception and response to "read" shifting conditions – tidal flows, soil moisture, the colour of the water, the behaviour of fish – and trace the responses to the fleeting moments reflexively. This approach aims to resonate with what Delta communities have enacted for generations. CDW 2026 aims to encounter different ecologies, different sets of stakes, and different relationships between bodies and worlds in the Mekong Delta, Vietnam. The methodology honours the inseparability of mind-body-spirit-environment that characterises the cosmology of the peoples of these lands. We explore how Cảm Ứng digital dowsing might catalyse ways to be with, and inside Delta ecologies. In contrast to seeing digital tools as methods that capture or extract data from the outside, we invite participants to hold their digital devices as an extension of their bodies, like a prosthetic or imaginary 'whiskers’. We invite participants to fuse the methodology with their bodies to sense-feel-respond to invisible and unseen forces that have touched the soil, smelt the waters, and worked alongside the people whose knowledge lives in their hands and lands. Participants are not learning about the Delta. We learn to “read” through dowsing the environment, assisted and amplified by our bodies and digital tools. Dowsing is a (pseudoscientific) practice of attentiveness toward subtle environmental signals. Dowsing reflects practices of attunement found in traditions like the I-Ching, ifá¹ or geomancy where meaning emerges through reading patterns, relational conditions, timing, and environmental resonance rather than accurate representation. We sense the Delta through embodied emplacement that helps to sharpen our capacity to read and relate to many places with the same attentiveness to the tensions of abundance. Water (What) → Ground (Where) → People (Who) → Time (When) which also mirrors the ontology of the Mekong itself: a living system composed of flows, sediments, livelihoods, and seasonal rhythms. This transforms STEAD²'s temporal metadata into a phenomenology of circular time. This year CDW extends Circular Design beyond the management of material resources towards the cultivation of circular place-based knowledge systems.
¹ I-Ching: An ancient Chinese text of wisdom and divination, also known as the Book of Changes./ Ifá: An ancient West African (Yoruba) divination system and body of sacred knowledge. ² STEAD (Spatio-Temporal In-Situ Experiences as Data) is a framework proposed by van Lammeren et al. (2009) for analysing user-generated locative media through four dimensions: who sensed, what was sensed, where it was sensed, and when it was sensed. Developed within the Digital Dowsing Rod project, STEAD conceptualises participants as "human sensors" whose situated experiences contribute to the production of place-based knowledge.

Event Participants

Fumiko Ichikawa (Advisory Board)

Re:Public Inc, (Japan)

Fumiko Ichikawa has received her Masters degree in Human Computer Interaction from Keio University. In her commercial career, she has worked with many leading companies and design offices, where she took lead in global design research based in Finland, China, and Japan. After the financial crisis and the great earthquake that took place in Northern Japan in 2011, Fumiko co-founded a company Re:public, Inc together with Hiroshi, Tamura. Together with national and regional governments, companies of all sizes, and educational institutes, her mission is to empower individuals and develop innovation platforms for the better future. Fumiko is a member of Reach, the global design research network, and a founding director of Innovators 100, an innovation program commissioned by Hiroshima prefecture. She also organizes a Serial Innovators consortium, an alliance where she studies how innovators create and deliver breakthrough innovations.

Hiroshi Tamura

Re:public Inc (Japan)

Re:public Inc., is not a design firm nor a research agency, but a Think & Do tank specialized in architecting innovation ecosystems in an organization, a society, or a nation. When problems are becoming increasingly complex beyond the control of a single entity, we take a systemic, human-centered approach to understand the issues and build innovation capacity to act. A team led by Hiroshi is engaged in developing a “Citizen-led Innovation” platform in Fukuoka (a city of over a million inhabitants in the southern island of Japan) where citizens are taking an active role by shaping trans-boundary innovation teams with national and regional business enterprises. He will show the early initiatives from this ecosystem.

Hiroshi also serves as Co-Founder and Executive Fellow at i.school at The University of Tokyo where he teaches students to foster skills and mindsets to realize innovation through design-driven processes and harness ethnographic investigation. Since the Great East Japan Earthquake in 2011, Hiroshi has been working to revitalize Kesennuma, a town severely destroyed, co-working with local fishermen, factory owners and high school students to envision futures and take the initial steps towards it. Hiroshi leads  “Citizen-led Innovation” platform in Fukuoka City where citizen participation takes a key role for change.

Joyce Yee (DESIAP)

Northumbria University (UK/Malaysia)

Joyce Yee is Professor of Design and Social Innovation at Northumbria School of Design, UK. Joyce’s research explores how design is used to support, enable and drive change through the creation of innovative practices in organisations. She co-founded the Designing Social Innovation in Asia-Pacific network (www.desiap.org) in 2015 with Dr Yoko Akama, RMIT in Australia, as a peer learning network for social innovation practitioners using design. She is passionate about design for social good and advocates for culturally diverse and locally relevant practices that challenge the dominant industrialized and western-centric models of design.

Kimmi Ha

Ho Chi Minh, Viet Nam

Kimmi Ha (Ha Phan Kim Nguyet) is a designer, researcher, and social entrepreneur based in Ho Chi Minh City, Vietnam. She founded UPGREEN Vietnam, a circular design studio that turns low-value plastic waste into cultural objects finished with traditional Vietnamese lacquer (sơn mài). Her practice treats craft as a form of knowledge: the slow cycles of layering, curing, and sanding become a way to rethink what counts as waste and what counts as value. She is a PhD candidate at RMIT University and teaches design at several universities in Vietnam. In 2026, she was part of the organizing team for Circular Design Week in the Mekong Delta, where she co-developed the Cảm Ứng fieldwork methodology grounded in Vietnamese language and cultural epistemology. Kim is interested in how design, craft heritage, and community knowledge can support regenerative futures in Southeast Asia. She is a YSEALI Professional Fellow and a 2026 Seoul Design Award finalist.

Nicola St John

Melbourne

Nicola St John is a settler Australian co-designer, design historian, and lecturer at RMIT University. Her practice is concerned with the promotion of respectful, responsible, and relational ways of designing. Her multi-award winning co-design work has led to the development of Australia’s only First Nations-led illustration agency – Solid Lines, a national podcast series around respectful collaboration, and strategies for design industries to incorporate diverse knowledges and infrastructures within commercial practice. Her design history and education practice focuses on reimaging Australian design away from settler narratives, towards acknowledging rich and diverse histories and knowledges.

Thuy-Tien Vo

Ho Chi Minh city

Thuy-Tien Vo is an artist-curator, practice-led researcher, and Associate Lecturer in the School of Communication & Design, RMIT Vietnam. Her practice explores how ritual, rehearsal and everyday forms are collectively performed, inherited and remade. She co-founded Ba Rọi Collective and [[Rehearsal]], whose devised performances and micro-cinemas unfold in homes, makeshift venues and art spaces across Vietnam, China, Thailand and the United States. Her inter-Asian collaborations extend to Indonesia and Japan. Most recently, she curated Circular Design Week 2026 with partners in the Mekong Delta (Cần Thơ and Trà Vinh): Abavina, a cooperative for circular, low-emission farming; Sokfarm, an organic coconut-nectar producer sustaining a Khmer craft of tending coconut blossoms; and Ánh Dương Center, which supports marginalised rural communities. DESIAP was research partner.

Yoko Akama (DESIAP)

Naarm, Kulin Nation (also called Melbourne, Australia)

Yoko Akama is a design researcher and educator in the School of Design, RMIT University, by Naarm, Kulin Nation (also called Melbourne, Australia). She is a recipient of several national and international awards and research funding for collaborative work with self-determining Indigenous nations and regional communities preparing for disaster. Her practice explores ways to enhance qualities of inter-relating through differences and plurality. While she has lived, studied and worked in the UK, US and Australia, her Japanese heritage and ongoing work with collaborators in and from Asia continues to shape her practice. She brings this practice to research, teaching and various platform leadership through participatory collaboration to address various entrenched issues and explore shared human and more-than-human futures.


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